In fact, this most compulsive of narrators only starts talking to us again after the tranquillity of the moment is shattered, which is a surprisingly understated gambit for "Dexter". There was a season of "Dexter" where he went searching for signs of a higher power, but it's here that he finds one, and what makes this so different from our serial-killer Pinocchio's previous real-boy epiphanies is that, for once, there's no noise in his head. The premiere episode of "Dexter: New Blood", "Cold Snap," might be my favourite of the character's entire television run, because it allows him this brief state of grace. Dexter and the white buck are kindred spirits-outliers of their species, yet built to blend into their surroundings. A second attempt the following day is foiled when a sharp noise from elsewhere causes the wildlife to scatter, while a third and final try sees him lowering his rifle and surrendering to the beauty of the beast. Though he has a clear shot, something stops him from pulling the trigger, and he falls to his knees in a parody of biblical defeat. Dexter is tracking it through the woods, a regular Natty Bumppo. "Cold Snap," "Storm of Fuck," "Smoke Signals," "H is for Hero," "Runaway," "Too Many Tuna Sandwiches," "Skin of Her Teeth," "Unfair Game," "The Family Business," "Sins of the Father"īy Bill Chambers SPOILER WARNING IN EFFECT. This movie isn't meta or satire, it's the Dollar Store version of an American original.Ĭontinue reading "The Unbearable Weight of Massive Talent (2022) - 4K Ultra HD + Blu-ray + Digital" » I don't understand why the movie spells Nic Cage's name "Nick Cage": if it's to separate onscreen "Nick" from offscreen "Nic," then why has Nick appeared in all the same stuff as Nic? That "k," like The Unbearable Weight of Massive Talent itself, ersatzes Cage. I don't understand Green's reaction to Cage's impromptu audition, either, whether his awed "Jesus" is because he's blown away, appalled, or reacting to an actor-a star-of Cage's calibre grovelling to the director of The Sitter and Halloween Kills. I don't understand the point of Green playing himself-that is to say, I don't understand the point of the director character being David Gordon Green, since a) he's just an avatar for clout one doesn't necessarily associate with Green, b) his prior relationship with Cage is never excavated or exploited (they made the not-uninteresting Joe together in 2013), and c) it's doubtful that enough viewers will know who Green is to justify the casting. I don't understand why Nicolas Cage, David Gordon Green, and Demi Moore play "themselves" while Neil Patrick Harris, who plays himself in everything, does not. Starring Nicolas Cage, Pedro Pascal, Sharon Horgan, Tiffany Haddishīy Bill Chambers There's a lot I don't understand about Tom Gormican's The Unbearable Weight of Massive Talent that has nothing to do with its alleged postmodernism. Please note that all framegrabs are from the 1080p version Mariana's Home for Girls but a short, thirty-something serial killer from Estonia, Orphan: First Kill dilutes rather than develops the deliberately thin mythos of its predecessor, stretching its punchy 30-second exposition dump about her past into 100 minutes of deadweight.Ĭontinue reading "Orphan: First Kill (2022)" » ![]() Arriving a whole 13-year-old's lifespan after the original, which famously culminated in the reveal that Esther was not a helpless urchin from St. ![]() It says something about the project's existential inertia that even the pitch is muddled about whether the film's diminutive protagonist, played again with an appropriate mix of madame prudishness and girlish optimism by Isabelle Fuhrman, is coming or going. Starring Isabelle Fuhrman, Rossif Sutherland, Hiro Kanagawa, Julia Stilesīy Angelo Muredda "Esther's terrifying saga continues," promises the confusing promotional copy for William Brent Bell's Orphan: First Kill, a listless prequel to Jaume Collet-Serra's impressively nasty thriller Orphan.
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